{"id":102921,"date":"2025-09-25T20:00:39","date_gmt":"2025-09-25T19:00:39","guid":{"rendered":"https:\/\/zine.modalova.com\/zine\/mercato-designers-qui-quelle-maison\/"},"modified":"2025-09-25T20:00:39","modified_gmt":"2025-09-25T19:00:39","slug":"mercato-designers-qui-quelle-maison","status":"publish","type":"post","link":"https:\/\/zine.modalova.com\/zine\/mercato-designers-qui-quelle-maison\/","title":{"rendered":"Le mercato des designers : qui pour quelle maison\u00a0?"},"content":{"rendered":"<p>\u00c0 l\u2019aube d\u2019une nouvelle \u00e8re pour la mode, <strong>l\u2019\u00e9t\u00e9 2023<\/strong> s&rsquo;annonce comme un carrefour d\u2019audaces cr\u00e9atives o\u00f9 les directeurs artistiques se repositionnent. Les maisons prestigieuses, toujours avides d\u2019innovation, s\u2019agitent autour d\u2019une valse artistique sans pr\u00e9c\u00e9dent, o\u00f9 chaque choix r\u00e9sonne avec l\u2019\u00e9cho de l\u2019h\u00e9ritage et de l\u2019avenir. <\/p>\n<h2>Une danse des talents en pleine effervescence<\/h2>\n<p>Les regards se tournent vers <u>Chanel<\/u>, o\u00f9 <strong>Matthieu Blazy<\/strong> s\u2019appr\u00eate \u00e0 d\u00e9voiler son premier d\u00e9fil\u00e9, une promesse de sophistication pour le printemps-\u00e9t\u00e9 2026. Son rival, <strong>Jonathan Anderson<\/strong>, s\u2019empare de la maison <u>Dior<\/u>, devenant le premier cr\u00e9ateur depuis le ma\u00eetre lui-m\u00eame \u00e0 orchestrer l\u2019ensemble des collections, hommes et femmes. La pression est palpable, mais son audace promet de bousculer les conventions. <\/p>\n<p>Chez <u>Givenchy<\/u>, <strong>Sarah Burton<\/strong> est \u00e9galement sous les projecteurs, pr\u00eate \u00e0 d\u00e9montrer son savoir-faire apr\u00e8s une d\u00e9cennie de cr\u00e9ativit\u00e9. Pendant ce temps, <strong>Pierpaolo Piccioli<\/strong>, fra\u00eechement arriv\u00e9 chez <u>Balenciaga<\/u>, doit r\u00e9inventer une esth\u00e9tique marqu\u00e9e par son pr\u00e9d\u00e9cesseur, tout en honorant l\u2019ADN de cette maison iconique. Les <u>N\u00e9o-Yorkais<\/u> <strong>Jack McCollough<\/strong> et <strong>Lazaro Hernandez<\/strong> prennent les r\u00eanes de <u>Loewe<\/u>, redonnant vie \u00e0 une marque qui retrouve sa place sur le calendrier parisien.<\/p>\n<blockquote><p>\u00ab Jonathan Anderson, consid\u00e9r\u00e9 comme l\u2019un des cr\u00e9ateurs les plus talentueux de sa g\u00e9n\u00e9ration, s&rsquo;appr\u00eate \u00e0 faire vibrer la mode avec sa vision unique. \u00bb<\/p><\/blockquote>\n<p>Alors que <u>Milan<\/u> se pr\u00e9pare \u00e0 accueillir <strong>Louise Trotter<\/strong> chez <u>Bottega Veneta<\/u> et <strong>Dario Vitale<\/strong> chez <u>Versace<\/u>, l\u2019industrie se questionne : ces changements seront-ils le souffle d\u2019air frais tant attendu, ou une simple transition ? La rentr\u00e9e s\u2019annonce d\u00e9cisive et pourrait red\u00e9finir les contours de la mode de luxe. La sc\u00e8ne est pr\u00eate, les artistes sont \u00e0 l\u2019aff\u00fbt, et l\u2019histoire continue de s\u2019\u00e9crire sous nos yeux.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00c0 l\u2019aube d\u2019une nouvelle \u00e8re pour la mode, l\u2019\u00e9t\u00e9 2023 s&rsquo;annonce comme un carrefour d\u2019audaces cr\u00e9atives o\u00f9 les directeurs artistiques se repositionnent. Les maisons prestigieuses, toujours avides d\u2019innovation, s\u2019agitent autour d\u2019une valse artistique sans pr\u00e9c\u00e9dent, o\u00f9 chaque choix r\u00e9sonne avec [&hellip;]<\/p>\n","protected":false},"author":23,"featured_media":102920,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"eltdf_count_post_views_meta":543,"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[1],"tags":[952,939,937],"class_list":["post-102921","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mode","tag-chanel","tag-dior","tag-flash"],"_links":{"self":[{"href":"https:\/\/zine.modalova.com\/zine\/wp-json\/wp\/v2\/posts\/102921","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zine.modalova.com\/zine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zine.modalova.com\/zine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/zine.modalova.com\/zine\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/zine.modalova.com\/zine\/wp-json\/wp\/v2\/comments?post=102921"}],"version-history":[{"count":0,"href":"https:\/\/zine.modalova.com\/zine\/wp-json\/wp\/v2\/posts\/102921\/revisions"}],"wpml-translations":[{"id":103237,"lang":"en","href":"https:\/\/zine.modalova.com\/zine\/wp-json\/wp\/v2\/posts\/103237"},{"id":103239,"lang":"en-us","href":"https:\/\/zine.modalova.com\/zine\/wp-json\/wp\/v2\/posts\/103239"},{"id":103243,"lang":"de","href":"https:\/\/zine.modalova.com\/zine\/wp-json\/wp\/v2\/posts\/103243"},{"id":103245,"lang":"it","href":"https:\/\/zine.modalova.com\/zine\/wp-json\/wp\/v2\/posts\/103245"},{"id":103241,"lang":"es","href":"https:\/\/zine.modalova.com\/zine\/wp-json\/wp\/v2\/posts\/103241"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zine.modalova.com\/zine\/wp-json\/wp\/v2\/media\/102920"}],"wp:attachment":[{"href":"https:\/\/zine.modalova.com\/zine\/wp-json\/wp\/v2\/media?parent=102921"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zine.modalova.com\/zine\/wp-json\/wp\/v2\/categories?post=102921"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zine.modalova.com\/zine\/wp-json\/wp\/v2\/tags?post=102921"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}